{"id":15710,"date":"2017-12-05T16:02:04","date_gmt":"2017-12-05T07:02:04","guid":{"rendered":"http:\/\/shomei-tanteidan.org\/?p=15710"},"modified":"2018-05-24T16:39:04","modified_gmt":"2018-05-24T07:39:04","slug":"post-15624","status":"publish","type":"post","link":"https:\/\/shomei-tanteidan.org\/en\/post-15624\/","title":{"rendered":"Newsletter vol.84"},"content":{"rendered":"

Published\uff1aDec.05, 2017<\/strong>
\n\u30fbActivity 1\uff0fLighting Survey\uff1aMumbai \uff082017\/10\/02-10\/07\uff09
\n\u30fbActivity 2\uff0fLighting Survey\uff1aKagoshima \uff082017\/10\/25-10\/27\uff09
\n\u30fbActivity 3\uff0fShomei Tanteidan descend on Ueno Park vol.2 \uff082017\/10\/16,11\/13-11\/14\uff09<\/p>\n

Newsletter vol.84<\/a>\u3000Download PDF<\/a><\/div>\n

Lighting Survey in Mumbai<\/h2>\n

2017\/10\/02-10\/07\u3000\u3000Mikine Yamamoto + Leon Hitsu\u3000<\/p>\n

We researched the biggest economic city of India, Mumbai. It is located west coast of India, which was used to call Bombay. This is the second time we researched this city since we last did in 2004. The goal of this research is to compare how its architecture and lighting have developed, and to compare with Navi Mumbai (New Bombay) developed as a new city of Mumbai.<\/p>\n

\"00_\u30c9\u30fc\u30d3\u30fc\u30fb\u30ac\u30fc\u30c8_DSCN6648_\u6b6a\u307f\u4fee\u6b63\"
\nDhobi Ghat is an outdoor laundry with more than 100 years of history. It is used as a laundry in the daytime, though people lived there and felt a sense of life in the nighttime. The contrast with the skyscraper in the background is very Indian.<\/span><\/p>\n

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\nThe building in front of the station. Building was carefully lit up with orange color.
\n\"04_\u30c1\u30e3\u30c8\u30e9\u30d1\u30c6\u30a3\u30fb\u30b7\u30f4\u30a1\u30fc\u30b8\u30fc\u30fb\u30bf\u30fc\u30df\u30ca\u30b9\u99c5_DSCN6596\"
\nMounting details. The hood was installed in the fixture in order to avoid glare when seen from the front\n<\/p>\n<\/div>\n

Arriving at Mumbai hotel after the sunset, from the taxi on the way to the hotel, I only saw street lights that lit the street, and the city that was on the background looked dark and sunken. We expected that it was developed like China where a number of buildings lit up, but there was no building that was illuminated. The situation didn\u2019t change even in the city, with only seeing street light illuminating the building a little. Entering the central part of the city, the horning sound is flying constantly. As the taxi moving slowly, we saw many people doing something on the street and created strange atmosphere. It\u2019s was not like attracting and energetic lighting that gives atmosphere of Southern East Asia, but it was impressive to see many people doing something relying on only dimming street light. We saw few changes from last research, and it seemed Mumbai had not been developed much. <\/p>\n

\u25a0Lighting for Landmark
\n There are a few buildings that exist as landmarks in Mumbai. India Gate which was built to celebrate the visit of Kind of England in 1911. In front of that, there is world leading Taj Mahal Hotel. Chhatrapati Shivaji Terminus which was registered for world heritage in 2004. We researched Hajj Ali Mausoleum, the holy ground for Muslims.
\n Only lights we could see there were street lights, and there were only few illuminated building that gave solitary impression with window pane shining through. Buildings as landmarks were illuminated and characterized the town of night. LED was used for India Gate with orange color, and color lighting with motion was used for the station. In front of the station, there was a building that reminded colonial period, and the lighting was carefully designed with hood to cut the glare.
\n Hajj Ali Mausoleum floating on the sea used flood lighting of mercury lamp for illumination. It was not so impressive, but the road approaching the shrine that is in the sea was lit up with sodium that performed as a focal point with the different color temperature. We thought the dark sunken sea in the background and rarely bright night view of the city were also important elements. We can see the sunset in the evening, and the scenery gradually changing to night is very beautiful.<\/p>\n

\n\"02_\u30c1\u30e3\u30c8\u30e9\u30d1\u30c6\u30a3\u30fb\u30b7\u30f4\u30a1\u30fc\u30b8\u30fc\u30fb\u30bf\u30fc\u30df\u30ca\u30b9\u99c5_DSC_4296\"
\nChhatrapati Shivaji Terminus was built in 1887 and registered for world heritage in 2004. Its appearance in the daytime is very massive and designed in detail, but it looks like theme park using color lighting in the nighttime.\n<\/div>\n
\n\"01_\u30a4\u30f3\u30c9\u9580_DSCN6544\"
\nOrange colored flood light evenly illuminated the India Gate. Inside the gate, there was a white spot light that illuminated the roof.\n<\/div>\n
\n
\n\"05_\u30cf\u30c3\u30b8\u30fb\u30a2\u30ea\u30fc\u5edf_DSCN6527\"
\nApproach of Hajj Ali Mausoleum. Approach was lit with sodium lamp, and Mausoleum was lit with mercury lamp.\n<\/div>\n
\n\"06_\u30cf\u30c3\u30b8\u30fb\u30a2\u30ea\u30fc\u5edf_DSCN6516\"
\nThe appearance of Hajj Ali Mausoleum. Many people gathered in the floating mausoleum even at night. It was lit up with the flood light of mercury lamp.\n<\/div>\n
\n

\u25a0City that doesn\u2019t have feeling of brightness
\nGulf road called Marine Drive is a resting place for many citizens in the evening. The stride length along the revetment is 13 cm, and there were people walking and enjoying beautiful sunsets, couples, and many kinds of people. On the 50m wide road, including sidewalk, there were pole lights (H=12m) set up in about every 40m. Lighting fixture used LED. There was no lighting on sidewalk. Because it\u2019s the main road, the lux level of roadway was about 25-70lux, and color temperature was about 4000K. It felt brighter than the other roadways around, which had 20-30lux. The lux level of sidewalk was about 5-15lux, and vertical illuminance level in the dark was less than 10lux, and we were only able to see person\u2019s face a little. Trees were planted in between sidewalk and roadway which was comfortable darkness for bright roadway.
\n Around Mumba Devi Temple, market put out a store on the roadway that is about 9m wide, and it was flourished. It seemed like pedestrian at first, but the traffic of cars and motorcycles were very intense, and car horns were echoing constantly. Pole light with sodium lamp is was set up in 7m pitch in staggered arrangement, and the lux level was about 10-30. Many stores did not have lighting, and they were operating only with the street lights. Some stores were too dark to see what they were selling. There were a few stores that used fluorescent lamps or light bulbs so that we could see the items that were sold.
\nStreet at Mumbai fundamentally has street lights only, and there aren\u2019t any signs or lightings. Stores are closed at night. There aren\u2019t any vertical illuminances, and we don\u2019t feel any brightness or bustling. Having people gathered is important, but we also felt that the lighting was significant for bustling at night.\uff08Mikine Yamamoto\uff09<\/p>\n

\n\"08_\u30de\u30ea\u30fc\u30f3\u30fb\u30c9\u30e9\u30a4\u30d6_DSCN6704\"
\nSidewalk of Marine Drive. Sunsets and moonlight looked very beautiful.\n<\/div>\n
\n\"10_\u30e0\u30f3\u30d0\u30c7\u30fc\u30f4\u30a3\u30fc\u5bfa\u9662\u5468\u8fba_DSCN6629\"
\nBazaar around Mumbai Devi Temple. People are putting out stores under street lights.\n<\/div>\n
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\nThere are only street lights, and we don\u2019t see signage or lightings in the store.\n<\/div>\n
\n

\u25a0Task light shines
\nIn Mumbai, lightings usually fulfill functions, but not to enjoy night views. There are only lightings for functional necessity just like turning on lights when it\u2019s dark.
\nStreet light seems to be time operating turning on at 6:30 pm. That time is when Mumbai sunsets. Then, it gradually starts getting dark. Road illuminance was about 10-30lux.
\nSame for indoors. With brilliant facade lighting, Chhatrapati Shivaji Terminus platform is constructed with a large roof of 80m wide and 250m long. A large roof had a skylight that kept the brightness of the station using the daylight.
\nLighting was wide angled high power LED. Its height is about 8-9m to match with the beam. It is set up on grid in of 8m pitch from front to back and from side to side. The color temperature in platform at night was about 6300K, and the lux level was uniform with 200 lux Internally illuminated signage was easy to understand, though high color temperatures, bare metal frames and digital sings had an impersonal feel.<\/p>\n

\n\"DSC_4277\"
\nBright platform of Chhatrapati Shivaji Terminus\n<\/div>\n
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\nPlatform structured with a large roof.\n<\/div>\n
\n

\u25a0Mumbai and Navi Mumbai
\nThe structure of Mumbai city was complicated. It was crowded with skyscrapers and low-rise buildings, and bright areas and dark areas were mixed. On the other hand, Navi Mumbai is a newly constructed planned city, and northern part of the city has many office buildings and factories, while southern part had public facilities including housings, parks and stadium. It is easy to understand the structure of this city because road\u2019s vertical and horizontal lines are very clear. Seeing from the night view\u2019s perspective, there weren\u2019t any vertical illuminance to highlight buildings. They were unable to express the city\u2019s characteristics and its atmosphere at night. In Mumbai, skyscrapers and landmarks are built continuously. However, once the night falls, it becomes shadow in the dark, and we felt it very wasteful, but at the same time, there are more places for improvement.\uff08Leon Hitsu\uff09<\/p>\n

\"\u30d1\u30ce\u30e9\u30de\u30e0\u30f3\u30d0\u30a4\"
\nAt night in Mumbai. There isn\u2019t any lighting for fa\u00e7ade other than pole lighting.<\/span><\/p>\n

\"\u30d1\u30ce\u30e9\u30de\u30ca\u30df\u30e0\u30f3\u30d0\u30a4\"
\nAt night in Navi Mumbai. Mixed-used facility of shopping mall and a hotel with vertical line lighting can be seen from the distance.<\/span><\/p>\n

Lighting Survey\uff1aKagoshima<\/h2>\n

2017\/10\/25-10\/27 \u3000Shunichi Ikeda + Yuri Araki<\/p>\n

Kagoshima city is a city which its urban area is integrated with nature and magnificent scenery, and it is also a tourist attraction that is represented by Sakurajima. It has scenery unique to Kagoshima city such as a view to Sakurajima, Japanese modernization asset like historical buildings, and urban scenery with slanted green area in the background. We researched the light environment of this highly regarding scenery formation area with Sakurajima as a main axis.<\/p>\n

\"01\"
\nNight view of Kagoshima seeing Sakurajima. There isn\u2019t any color lighting or building advertisement on city in front of the Sakurajima.<\/span><\/p>\n

It takes 1 hour to get to central area of city from Kagoshima airport. It was very exciting and felt good to have a drive looking at clear sky, rich water and greens, and magnificent Sakurajima with rising smoke. When we arrived at urban area, we started from researching about urbanscape planning, so we visited city hall that is a little walk from statue of Saigou Takamori. After that, we checked up main roadways in central areas and parks, history and culture area, commercial area, etc, and started preparing for a research about lighting environment. <\/p>\n

\n

\n\"DSC_6272\"
\nNight view of Central Kagoshima station from the same observatory. There are color lightings and building advertisements.<\/p>\n<\/div>\n

\u25a0Night view of Kagoshima
\nWhen the street lights started to turning on and the city was gradually taking on liveliness of night, Sakurajima gradually sank like it was sucked into the dark. We weren\u2019t expecting to see the mountains being lit up commercially because those were pride of the area and were divines since long time ago. However, we felt wastefulness seeing Sakurajima sinking in the dark as night scenery of tourism resource.
\nWhen we observed it closely, we realized that there were only few striking color lighting and building advertisement in the city. We think the lighting is evidently considered to keep a sophisticated view. The reason why we think so is because around the central station which is out of sight from this observatory has Ferris wheel and commercial buildings with flashy lightings.<\/p>\n

\n

\n\"\u30ad\u30e3\u30d7\u30c1\u30e3\"
\nMap represents the color temperature of the street lights.<\/p>\n<\/div>\n

\u25a0Street lights of central area in Kagoshima
\nStreet lights of central area is set up differently that has basically semi-cut type that lights under the direction, ball type that lights in all directions for roads that the tram runs with the car, street lights that looks like designated gas lamp for historical buildings. Street light of Kagoshima Port Line that goes through very close to Kanie Bay had a family crest of Shimazu family of former Satsuma domain lord and symbol of harbors and waves, and crabs, designs that represented Satsuma.
\nTalking about light environment of on streets is using orange colored high pressure sodium lamp, white metal halide lamp (4200K\uff5e) overall, and part of street and streets lights that looks like gas lamp uses LED. Most of the street lights (lamp set up on telephone pole) set up in narrow alley were replaced with white (5000K) LED and feels glaring. Overall, it seems like street lights in here isn\u2019t really turned into LED. <\/p>\n

\n\"DSC_6753\"\n<\/div>\n
\n\"DSC_6412\"\n<\/div>\n
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\n
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\nThere are flashy fa\u00e7ade lightings in commercial area of Route 225\n<\/div>\n
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\nFront of arcade is flourished at night.\n<\/div>\n
\n\"DSCN9815\"
\nFlourished downtown area. A sign lit up green really stands out.\n<\/div>\n
\n
\n

\n\"DSCN9999\"
\nTrees in front of central station were lit up in green.\n<\/p>\n<\/div>\n

\u25a0Street lights of Naples Street that doesn\u2019t get addicted to lux level
\nNaples Street and Perth Street that extend from central station to Kanie Bay is the area that re-equipped in recent years.
\nThere isn\u2019t any lighting for roadways, and there are 4m high pole light in every 15m on sidewalk and illuminated camphor tree in median strip. Lightings for trees lit up separately on purpose for leaves and stem with three different types of lightings of color temperatures that is about 2400K, 3800K, and 4200K. The lux level of roadways is 2-4lux, and about 11-22lux when close to pole light. So it is not that bright for Main Street, but illuminated camphor gives sense of brightness while colorizing the street dynamically.
\n(Shunichi Ikeda)<\/p>\n

\n\"DSC_6703\"
\nImpressing Naples Street with glittery illuminated camphor tree.\n<\/div>\n
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\nDifferent color temperatures are used.\n<\/div>\n
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\nCommercial facilities line up lively in front of central station of Kagoshima.\n<\/div>\n
\n
\n

\n\"\u30ad\u30e3\u30d7\u30c1\u30e31\"
\nSketch of cross section of Minato Main Street Park\n<\/div>\n

\u25a0Main Street Park
\nMinato Main Street Park is located at where city hall and Sakurajima\u2019s axis line meets. It\u2019s 18m wide, and 350m to the beach that looks like road of lawn.
\nTwo types of street light with unified design lines up on both sides of the park. This street light has globe shaped fixture, and it indicates the relationship with this pole light and that of tram line. The lux level of side walk is about 2-3lux, and the lux level of roadway is about 4-6lux which was not necessarily bright level. But because of the luminance level of street light and illuminated city hall located head of the park, it didn\u2019t make the place dark, and made comfortable light environment.
\nHowever, even though we carried out a research at 8:30 pm, there weren\u2019t people in and around the park and it was solitary. One of the reasons is locations which the park was far away from downtown and residential areas. We felt that if there are some factors that call in people, many of them will realize this park\u2019s charms of comfortable atmosphere regardless of daytime or nighttime.<\/p>\n

\"DSC_6325\"
\nMinato Main Street Park. Lux level is uniformed overall by spread lamp<\/span><\/p>\n

\u25a0Illuminated statue of Saigoh Takamori
\nWhen talking about famous photo spot in Kagoshima, statue of Saigoh Takamori comes up first. Tourists came and took photos continuously during the research in daytime. A big statue that is 8m high looks very imposing with the rich green in the background. On the other hand, Saigoh in the nighttime was a little disappointment. The reason why is that the trees around were lit up with white floodlight, but the statue standing in the center looked dull lit up with the lamp color. To be a popular photo spot at night, the color temperature of floodlight that illuminates trees and the statue should be replaced and arrange the lighting to make both statue and greens look beautiful. <\/p>\n

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\nCentral public hall with light-up\n<\/div>\n
\n\"DSC_6292\"
\nThe statue of Saigoh Takamori is illuminated very brightly with warm color\n<\/div>\n
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\n

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\nThere are almost no street lighting in Sakurajima\n<\/p>\n<\/div>\n

\u25a0Night view of Kagoshima seen from Sakurajima
\nSakurajima has many observatories, but this time, we decided to go to Yunohira Observatory located at west of island. From the Shiroyama Observatory ahead it is located about 6 kilometers straight putting Kanie Bay in between. Glaring white light gathers in the harbor where might have a certain regulation to achieve proper illuminance level, but still the warm color light occupies around Shiroyama Observatory. On the other hand, there are Ferris wheel given the color lighting, and white light of the mansion stands out around Kagoshima central station. Since there is almost no street light in Sakurajima, it turns dark immediately after the sunset, but around the ferry terminal on the way to urban area was bustling and it is clear that the station is necessary for daily life. During the research in the daytime, we confirmed that there are street lights close to evacuation pit. (Yuri Araki)<\/p>\n

\n\"DSCN9967\"
\nSakurajima seen from Yunohira Observatory\n<\/div>\n
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\nShadow of buildings made from shallow angled setting sun\n<\/div>\n
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\u25a0After the research
\nWe felt consideration of Kagoshima for night views from observatory to Sakurajima. Contrary to the scenery in the daytime that made Sakurajima as a main, brightness fades out from commercial area which the central station to Sakurajima. On the other hand, the city shines brightly like a main role when we view urban area from Sakurajima. Conversion of the main role formed by natural features and cultures may be the scenery unique to Kagoshima.
\n(Shunichi Ikeda)<\/p>\n

\"DSC_6657\"
\nSakurajima seen from Yunohira Observatory<\/span><\/p>\n

Shomei Tanteidan descend on Ueno Park vol.2<\/h2>\n

Workshop to think about ideal way of light and future way of \u201cForest of Ueno\u201d
\n2017\/10\/16,11\/13-11\/14\u3000\u3000Haruka Takano + Toru Mori + Nobuyo Sato + Masara Akiyama + Koki Iwanaga<\/p>\n

\"IMG_4630\"
\nLighting workshop at Tokyo National Museum. It was very precious experience to try out lighting plans<\/span><\/p>\n

January and February of this year, we held a city walking workshop named \u201cUeno-Night-Park\u201d. This is the second one of it. We carried out a workshop in Tokyo National Museum experimenting ideal way of light that we considered at field work last time. Illumination experiment was carried out during \u201cThe second Tokyo Suki-Festival\u201d, and this workshop enabled not only participants but also citizens to rediscover the potential and its value of Ueno Park. (Koki Iwanaga)<\/p>\n

\u25a0The first night: Lighting experiment and making of proposal
\nThis time, we took 3 days to make a lighting proposal for Tokyo National Museum by bringing ideas from lighting professionals to students, house wives, and a wide range of people. Content was to set up the lighting fixture at the Japanese Gallery, Hyokeikan Building and an approach to Horyuji Treasures and illuminate and give presentation on the last day.
\nOctober 16th was the first night which was raining unfortunately. We started at 6 pm in Kuroda Memorial Hall, and moved to Tokyo National Museum and actually lit up the lighting fixture that was going to be used on performance. We confirmed each lighting fixture\u2019s ability and characteristics by lighting from the second floor of Toyokan to Hyokeikan. After that, from 7 pm, we lit up the lighting that is usually carried out in Tokyo National Museum at night closing time and were able to observe\/consider from many places.
\nWhen we finished researching at an actual place, we went back to Kuroda Memorial Hall and separated into Group A (Main building), Group B (Hyokeikan), and Group C (Horyuji Treasures\u30fbKuromon, Black Gate) and started planning proposal of each location. The first night was scheduled very tightly with only 3 hours to research the actual sites and making proposal, but with participant\u2019s active debate and creation of sketch, our expectation for the second night\u2019s lighting experiment became higher. (Haruka Takano)<\/p>\n

\n\"DSCN6857\"
\nMr. Kinoshita from Tokyo National Museum explains the point of the event\n<\/div>\n
\n\"IMG_3953\"
\nScene of experiment of lighting up the roof of the main building from the second floor of Toyokan.\n<\/div>\n
\n
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\n Using actual fixtures and confirming its effect\n<\/div>\n
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\nSeparated into groups and made illumination proposal\n<\/div>\n
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\u25a0The second + third night: Lighting experiment + illumination performance
\nOn the second night, November 13th \u2018s workshop, we confirmed how the lighting plans that each group made is going to act lighting phenomenon in actual space, and conducted final adjustment to make ideal view. To prepare for the performance, we discussed ways of presentation of lighting plans for audience. November 14th was the day of the performance. We presented ideal lighting environment that each group considered. There was a group that performed with fancy arrange, and it was very spectacular for review meeting.<\/p>\n

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\n\"DSC_2963\"
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\n\"IMG_4581\"
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\nPresentation of concept of illumination and its review was carried out from each group.\n<\/p>\n<\/div>\n

\u25a0Group A\uff1aMain Building
\nThe presentation of illumination started from black wall of main building that the light was shining through a little. Then, LED beam irradiates in 7 colors for 60 seconds each on a large wall. Some colors recalled us the time flowed on this ground, such as pink and green that represents change of the season, and red for flames of war happened in the last days of Tokugawa Shogunate. Changing the color of wall and eaves of a large roof from white that was uniformed into the color we chose: material color of the stone from the main building that also goes with the color of woods that has warmer tone was a teamwork of group members covering up light source of 9 lamps with filters to lower the color temperature from 5000 Kelvins to a half of it.
\nWith everyone\u2019s shout, Tulipifera in front of the main building lit up, and irradiated dancing dead leaves close up on the end of the big tree that\u2019s like guardian deity, and revival of next spring. (Toru Mori)<\/p>\n

\u25a0Group B: Hyokeikan
\nGroup B was responsible for Hyokeikan, Neo Baroque style architecture made by Katayama Toukuma Design in Meiji. For profound atmosphere of main building, image of lady, dome roof in melon sorbet color, dark sunken front entrance, using banner for exhibition carried out right now, wall design of wings that gives flat impression, lions that decorates the scary entrance. We decided to do experimental illumination with these items not just for problem solving. Members focused on the dark sunken front entrance. Someone suggested to highlight the center by lighting inner entrance to outer, and to form banner in RGB color with depth including columns. We tested many things like applying contrast to planar imprinted outer wall of right wing by coloring convex part in white, and concave part in orange. Other ideas were to make building\u2019s edge stand out more, uplit trees, and light with blue or purple from image of lady.
\nThere was an idea to use reflector to apply shades to get floating feeling on stairs leading to front entrance.
\nEventually, we decided the concept to float from ground to the sky, and lighting calling for daily life to extraordinary. We emphasized the front entrance with image of rising color temperatures from low to high. The statue of lions in the entrance was lit up from diagonally below to break away from scary image. We tried to invite to presence of columns and inner part of building by emphasizing entrance by illuminating with lower color temperature from the ground in front of stairs. We changed the direction of existing lighting fixture on dome roof a little. We didn\u2019t illuminate the trees, but it made shadows that performed well on the wall. Because of the limited time and equipment, we only could have lit the right wing on the outer wall, but if we could try again, we want to challenge on lighting circles that goes around as a series of story of each seasons of main building-Hyokeikan-Horyuji Treasures. (Nobuyo Sato)<\/p>\n

\u25a0Group C: Passage from front entrance to Horyuji Treasures
\nGroup C was responsible for pathway from front entrance of Tokyo National Museum to Horyuji Treasures. Besides the pathway, there are many tall trees that stand out the darkness. The glare of security light and the darkness of trees makes a contrast which increases the spookiness, and it was difficult to walk up to Treasures located at the end of the pathway. The problem is that there aren\u2019t many visitors to Treasures. So, our concept was \u201clightings that guide visitors to Horyuji Treasures\u201d.
\nThe opinions that were made in the discussion were, making changes to visibility by illuminating buildings and monuments in the pathway, unity that doesn\u2019t offset other building\u2019s illumination, and how to keep the balance of favor Horyuji Treasures as a final goal. In the workshop using lighting fixture, we walked while moving fixtures initiatively, and discussed and adjusted for each points like intersections.
\nWe eventually chose three method; 1. Illuminate the leaves of trees that grow thick like tunnel, and have the floating feeling and keep the brightness of overall space, 2. Set up the bollard lighting and make point of sight intentionally to make relieved feeling to visitors, 3. To favor the Treasures, we balanced by moderating the illumination of Black Gate to blend in overall space. The achievement of the actual illumination was that we were able to reduce the glare and make a different scenery, and guiding illumination to Horyuji Treasures. Since there are many trees in Ueno Park, many sceneries that looks like ours exist. The suggestion we made this time is something that could be reflected to future lighting planning of Ueno Park. (Masara Akimoto)<\/p>\n

\u25a0Thoughts through these 3 days
\nEveryone has their opinion like \u201cI want make it more like this\u201d, so it is not so hard to image and draw it out. On the other hand, there are times that can\u2019t be realized with your own power, or it requires many lucks and opportunities. This time, Shomei Tanteidan was able to reproduce and verify the proposal through workshop actually using lighting fixture in front of the eyes.
\nI was very interested in ideas brought up from the workshop such as plans using LED of RGB and lighting in warm color, and proposal using shadows and reflections made by illuminating trees and water surfaces. Many people\u2019s ideas and opinions were broken down and reconstructed by professional\u2019s knowledge and experience, which I saw source of feasible new ideas.
\nI am very excited to imagine that this workshop\u2019s idea is in the scenery of Ueno which is enjoyable both in the daytime and the nighttime. I am expecting to find one scene of new night in Ueno. (Haruka Takano)<\/p>\n","protected":false},"excerpt":{"rendered":"

Published\uff1aDec.05, 2017 \u30fbActivity 1\uff0fLighting Survey\uff1aMumbai \uff082017\/10\/02-10\/07\uff09 \u30fbActivity 2\uff0fLighting Survey\uff1aKagoshima \uff082017\/10\/25-10\/27\uff09 \u30fbActivity 3\uff0fShomei Tanteidan descend on Ueno Park vol.2 \uff082017\/10\/16,11\/13-11\/14\uff09 Newsletter vol.84\u3000Downloa…<\/p>\n","protected":false},"author":4,"featured_media":15626,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"15624","footnotes":""},"categories":[92],"tags":[561,745,1302,1472,1960,2438,2439,2440,2441,2442,2443,2444,2445,196,2446,435,2447,553],"class_list":["post-15710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tanteidan-tsushin","tag-561","tag-745","tag-1302","tag-1472","tag-1960","tag-2438","tag-2439","tag-2440","tag-2441","tag-2442","tag-2443","tag-2444","tag-2445","tag-196","tag-2446","tag-435","tag-2447","tag-553","en-US"],"acf":[],"yoast_head":"\nNewsletter vol.84 - 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