{"id":23816,"date":"2020-06-29T16:07:19","date_gmt":"2020-06-29T07:07:19","guid":{"rendered":"https:\/\/shomei-tanteidan.org\/?p=23816"},"modified":"2020-06-29T16:07:20","modified_gmt":"2020-06-29T07:07:20","slug":"note-081","status":"publish","type":"post","link":"https:\/\/shomei-tanteidan.org\/en\/note-081\/","title":{"rendered":"Vol.81 \u2013 Learning Lighting Design from Cinematography Part 1 \u201cDiva\u201d"},"content":{"rendered":"\n<p>I ran across a manuscript from a series published in Housing Magazine 25 years ago.\u00a0 <\/p>\n\n\n\n<p>There was no magazine title or published date, but for the series titled &#8220;From Screen\/ I want to copy this interior design!&#8221;\u00a0 I used to analyze the lighting in scenes from movies.\u00a0\u00a0 After all these years I reread them and they are very interesting.\u00a0 So I`d like to share two excerpts among them.\u00a0 I wasn&#8217;t a person that had seen a lot of movies, but after accepting this column I became a regular at the movie theater.\u00a0\u00a0 Movies should be seen in the theater and the things to learn are unlimited.\u00a0 <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"720\" height=\"415\" src=\"https:\/\/shomei-tanteidan.org\/wp-content\/uploads\/2020\/06\/Tanteinote_081.jpg\" alt=\"\" class=\"wp-image-23792\" srcset=\"https:\/\/shomei-tanteidan.org\/wp-content\/uploads\/2020\/06\/Tanteinote_081.jpg 720w, https:\/\/shomei-tanteidan.org\/wp-content\/uploads\/2020\/06\/Tanteinote_081-300x173.jpg 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<p>\u201cDiva\u201d<\/p>\n\n\n\n<p>Blue Light and Shadow in a Paris Apartment<\/p>\n\n\n\n<p>&nbsp;This\nscene is in a large loft in a renovated house.&nbsp;\nCircular neon lights mounted on the walls glow.&nbsp; The morning sun streams through a window,\ncreating long shadows of the window grate.&nbsp;\nAt the tip of this rhythm of light and shadow, a white enamel bathtub\nstands alone.&nbsp; A mysterious man is seen\nsmoking a cigar through the steam while he soaks in his morning bath.&nbsp; A Vietnamese women returns home.<\/p>\n\n\n\n<p>Quietly, the man says, \u201cIf you ever do that\nagain I&#8217;ll send you back to Vietnam.\u201d&nbsp;\n\u201cDon&#8217;t be mad.&nbsp; I`m in a good mood\nright now.\u201d&nbsp; \u201cWait.\u201d&nbsp; \u201c&#8230;.\u201d&nbsp;\nThen the Diva`s angelic voice resonates throughout the loft.&nbsp; \u201c The man can&#8217;t hide his surprise.&nbsp; He takes the cigar out of his mouth and says,\n\u201cThe first act of La Wally.&nbsp; Cynthia\nHawkins.&nbsp; How did you get that?&nbsp; It hasn&#8217;t been released.\u201d&nbsp; The lady just laughs and smiles as she places\none leg on the edge of the bathtub.&nbsp; <\/p>\n\n\n\n<p>This bathtime scene is blessed with\nsunlight and is undoubtedly the all star of beautiful cinematography taken\nthroughout the \u201cDiva.\u201d&nbsp; The delicacy of\nlight and shadow are truly overpowering and one can really grasp the love\naffair between parisians and natural light.&nbsp;&nbsp;\nEven indoors one is still bathed in sunlight.&nbsp; And then the angelic singing&#8230;ah, what a\nluxurious start to the day. <\/p>\n\n\n\n<p>Let&#8217;s take a deeper look at the lighting in\nthe outstanding scene.&nbsp;&nbsp; The sense of\nhappiness in the air is created by the blue tones of the shadows and shimmering\nreflections of light.&nbsp; European interiors\nfavor sharp contrast between light and shadow and make a point of adding color\ntones to the shadows.&nbsp; Especially in this\nscene, the inspiring rays of the morning sun are made even more innocent by the\nfaint tones of blue in the shadows.&nbsp;\nAlso, compared to the blue tones, the sense of twinkling particles of\nlight, stirred up in the air, shine on the bath water and reflect off of the\nman&#8217;s face.&nbsp; (omission)<\/p>\n\n\n\n<p>In contrast to this scene is the postman,\nJules, and the beautiful opera singer, Cynthia,&nbsp;\nstrolling through the Tuileries Garden.&nbsp;&nbsp;\nThis mismatched couple sit down on a bench near the fountain and\ngradually the space between them closes.&nbsp;\nJules tries to put his arm around her.&nbsp;\nShe notices and smiles.&nbsp; There\naren&#8217;t any words, but everyone knows it is a sad, short-lived love affair.&nbsp; There is no intense sunlight shining in the\ngarden, but Cynthia&nbsp; is still holding on\nto her white sun parasol.&nbsp; Under that\ndull Paris sky the white sun parasol is too obvious.&nbsp; Natural sunlight in Paris can be intense, as\nif it is announce the budding emotions of an overbearing love affair.&nbsp; <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I ran across a manuscript from a series published in Housing Magazine 25 years ago.\u00a0 There was no magazine title or published date, but for the series titled &#8220;From Screen\/ I want to copy this interior design!&#8221;\u00a0 I used to analyze&#8230;<\/p>\n","protected":false},"author":4,"featured_media":23801,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"http:\/\/shomei-tanteidan.org\/?p=23781","footnotes":""},"categories":[7,9],"tags":[],"class_list":["post-23816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-note","category-tantei-note","en-US"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vol.81 \u2013 Learning Lighting Design from Cinematography Part 1 \u201cDiva\u201d - \u7167\u660e\u63a2\u5075\u56e3.<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/shomei-tanteidan.org\/en\/note-081\/\" \/>\n<meta property=\"og:locale\" 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