{"id":26128,"date":"2021-10-13T17:08:23","date_gmt":"2021-10-13T08:08:23","guid":{"rendered":"https:\/\/shomei-tanteidan.org\/?p=26128"},"modified":"2021-10-13T17:08:24","modified_gmt":"2021-10-13T08:08:24","slug":"note-084","status":"publish","type":"post","link":"https:\/\/shomei-tanteidan.org\/en\/note-084\/","title":{"rendered":"Vol.084 \u2013 The Labyrinth of Light\uff0fMilano Salone 2021"},"content":{"rendered":"\n

A mysterious installation of light called the Labyrinth of Light was announced by the Milano Salone 2021. https:\/\/www.nitto.com\/jp\/en\/products\/raycrea\/<\/a><\/p>\n\n\n\n

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In collaboration with Nitto Electric Industry, LPA incorporated Raycrea, Nitto Electric Industry`s newly developed material, into a light and space design.\u00a0 The installation was well received by visitors with the attention that defied our expectations.\u00a0 Hosted in the midst of the Covid-19 Pandemic, there were admission restrictions in place, but a number of visitors lined up to get in.\u00a0 Today, September 8th,\u00a0 I am headed back to Tokyo early and raising my glass in a solo toast of relief.\u00a0 I am very happy with the result, almost a perfect execution.\u00a0<\/p>\n\n\n\n

As architectural lighting designers, this kind of installation work is a whole different world of design.\u00a0 The relationship between light and people is very close, for a very intuitive and stimulating result.\u00a0 Especially in the case of this installation, the design is associated with axes of time, so the venue is similar to a theatre without an audience.\u00a0 Visitors are free to roam throughout the labyrinth of light and follow what catches their eye.\u00a0 However, while they are moving, scenes and lighting effects are changing, creating multiple-layers of light and confusion.\u00a0<\/p>\n\n\n\n

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On a sunny day, visitors to the Salone experience the autumn sunlight of Italy, measured at 100,000 lux, before entering the building.\u00a0 Upon entrance, a black wall directs visitors to the beginning of the labyrinth, where everyone seems to stop, look, and really observe.\u00a0 However the labyrinth is not understandable just by casual observation.\u00a0 Where is the light coming from?\u00a0 Reluctantly, one`s feet move forward.\u00a0 Visitors run into overlapping, luminous, opaque layers of light.\u00a0 One’s body motion and line of sight turn right and left, until deep in the labyrinth a huge tree of light appears.\u00a0 The tree is illuminated from below by various colors of light.\u00a0<\/p>\n\n\n\n

The inspiration for this work originated in a previous work conceived by architect, Hara Hiroshi, The Shadow Robot.\u00a0 I had the opportunity to help with the original exhibition and at the time, LEDs and lighting control systems were exceedingly remedial.\u00a0 However, through over-laying methods and choreographed music and light, a score of luminous music was composed with sure will.\u00a0 Now, with the latest in technology, a progressive performance was recreated.\u00a0 Light is playing the music.\u00a0 Raycrea is clad in various light, making it possible to conduct a symphony of light.\u00a0<\/p>\n\n\n\n

Well, I could just talk and talk about this project for hours, but I`ll leave it at this.\u00a0\u00a0 In the middle of this pandemic, with so many setbacks and on the verge of a breakdown, in the face of all of this, I applaud the client, design team, and construction team.\u00a0 I am also very thankful to feel the sun on my face and the warm breeze of Milano after three long years.\u00a0\u00a0 It is good to be able to move about freely again.\u00a0<\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

A mysterious installation of light called the Labyrinth of Light was announced by the Milano Salone 2021. https:\/\/www.nitto.com\/jp\/en\/products\/raycrea\/ In collaboration with Nitto Electric Industry, LPA incorporated Raycrea, Nitto Electric …<\/p>\n","protected":false},"author":4,"featured_media":26109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"http:\/\/shomei-tanteidan.org\/?p=26107","footnotes":""},"categories":[7,9],"tags":[],"class_list":["post-26128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-note","category-tantei-note","en-US"],"acf":[],"yoast_head":"\nVol.084 \u2013 The Labyrinth of Light\uff0fMilano Salone 2021 - \u7167\u660e\u63a2\u5075\u56e3.<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/shomei-tanteidan.org\/en\/note-084\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol.084 \u2013 The Labyrinth of Light\uff0fMilano Salone 2021 - 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