In front of the main gate to Senso-ji Shrine lies the neighborhood of Asakusa. One of Tokyo’s most popular entertainment districts, Asakusa flourished with kabuki, opera, and comic storytelling from the Meiji Era to the end of WWII. The Lighting Detectives discovered a variety of decorative streetlights and a lighting atmosphere fitting for this lively cultural destination. Upon entering the famous Kaminarimon, the Nakamise approach proceeds towards the shrine with bright-white, fluorescent-tube illuminated signage lining both sides. After navigating this corridor, walls of softly glowing lanterns come into view. The lanterns once lit with fire were replaced with incandescent bulbs and now fluorescent lamps. In popular neighborhoods like Shibuya or Roppongi, architectural facade lighting or neon signage fills the vertical space and “street lighting” is virtually non-existent. However, a variety of decorative streetlights festively illuminate the streets of Asakusa for a very fitting lighting environment. Pub signage and lanterns dispersed along the dark streets of Asakusa create an uncanny charm in this neighborhood. Roadway lux levels are a fairly dim 10-16 lx, but the red lanterns hanging from the eaves of establishments dig up affection for this old town.

Bangkok, a city in a swirl of on-going change. In our previous survey of Tokyo’s Kanda River, we discover that the backs of buildings face the river creating and area of dark contrast in the middle of the city. But here along the Chaopraya River the opposite is true with the front facades lining the waterfront. Open-air restaurants and bars occupy the rooftops, as the spectacle of the city spreads out below. The Millennium Hilton, Bangkok, opened in May of 2006, is the first major hotel brand to open a hotel in the country in 20 years. The hotel boasts 543 riverfront rooms. With a UFO-like disk on top of the building, the cool-modern design stands tall among the neighboring structures. Along the riverfront, a private pier is provided for guests and dinners at the restaurant and bar. As river taxis come and go, the warm spots of light along the river reflect and shimmer on the water surface. Scirocco, one of many open-air restaurants, is approximately the same height as the special observation room at Tokyo Tower, 246 meters above ground, but without the glass barrier!. Without a glass window the lights of the city below seems so much more clear and real!! At the next table sat an older coupe that came to watch the sunset. The woman was surprised when presented with a big bouquet of flowers, undoubtedly a romantic gesture from her husband. A single candle…

Roppongi has many faces including, an entertainment district with a foreign twist, new offices for daily business, and is developing as a center for the Tokyo art scene. The Lighting Detectives sped around on their bikes in April to discover what kind of light exists in this multi-functional area. The presence of the entertainment district is strongly felt at Roppongi intersection. Most people recognize this intersection as the center of Roppongi, but in recent years new development has created two new areas of focus, leaving the center of Roppongi very ambiguous. Points of reference include Mori Tower, Midtown Tower, Tokyo Tower and the metropolitan expressway, that cuts through, dividing this area of Tokyo. Large-scale luminous signage and a collage of other miscellaneous lighting dominate the view. Looking toward Roppongi from Aoyama Cemetery. The 3 towers that stand pronounced over Roppongi are a product of power and force, but appear alien in this setting. The towers look close and, yet, far off, as this scene can play tricks on your eyes.

A city for the young and young at heart, Shibuya. The area is composed of a mess of streets all with a different atmosphere, including a few main streets connected by narrower alleyways. Each street has developed its own personality and role, including lighting conditions to create the Shibuya night. From the scramble intersection in front of Shibuya Station, 3 distinctive roads, Dogenzaka, Center Gai, and Koen Dori radiate. After dusk, the lights come on and the personality of each street is even more clearly defined. As the title implies, Center Gai is the center of Shibuya geographically and caters to the young as the center for shopping and entertainment. This street is full of light. Each shop seems to be competing for the brightest facade with infinite amounts of luminous signage and advertising, creating a 3-dimensional playground. Dogenzaka is a festive street with a steady flow of pedestrians, but turn down one of the narrow side streets and the atmosphere changes immensely. The facades of many love hotels packed into the area are saturated with color creating a seedy blend of light and young couples prowling the Maruyama-cho area.

Shimokitazawa is a neighborhood of small shopping streets and alleyways, projecting a strange, but comfortable atmosphere, as people crowd the backstreets until late in the night. However, plans to replace this quaint neighborhood with arterial roads and high-rises are underway. The detectives took what maybe a last chance to survey this area before it is “defaced.” The top half and rooftops of most buildings do not have any luminous signage. As a result, a bird’s eye view of this neighborhood is actually fairly dark. The station front plaza is filled with people listening to music from sidewalk acts or looking at street art. The crowds of people naturally overflow into a nearby street. If an arterial road is planned for this area, this atmosphere will be lost forever. Two streets back-to-back, but built to two different scales and with two different demeanors. On the left is Shimokitazawa`s main south entrance shopping street. With many interior decor shops, the lighting is bright and color temperature is high. One street inside and the atmosphere and lighting are more relaxed. Low color temperature, incandescent lamps from restaurants, cafes, and bars are the main source of light.