

In front of the main gate to Senso-ji Shrine lies the neighborhood of Asakusa. One of Tokyo’s most popular entertainment districts, Asakusa flourished with kabuki, opera, and comic storytelling from the Meiji Era to the end of WWII. The Lighting Detectives discovered a variety of decorative streetlights and a lighting atmosphere fitting for this lively cultural destination. Upon entering the famous Kaminarimon, the Nakamise approach proceeds towards the shrine with bright-white, fluorescent-tube illuminated signage lining both sides. After navigating this corridor, walls of softly glowing lanterns come into view. The lanterns once lit with fire were replaced with incandescent bulbs and now fluorescent lamps. In popular neighborhoods like Shibuya or Roppongi, architectural facade lighting or neon signage fills the vertical space and “street lighting” is virtually non-existent. However, a variety of decorative streetlights festively illuminate the streets of Asakusa for a very fitting lighting environment. Pub signage and lanterns dispersed along the dark streets of Asakusa create an uncanny charm in this neighborhood. Roadway lux levels are a fairly dim 10-16 lx, but the red lanterns hanging from the eaves of establishments dig up affection for this old town.
In the heart of Tokyo, Nihonbashi River lies hidden under a system of highway overpasses and the Sumida River is wide and commanding and it cuts through the city. With a variety of bridges, both rivers assert their own unique presence in the Tokyo cityscape. On our own river tour, we encountered the particular water and lightscapes surrounding the bridges and shores of each river. The newly built Nihonbashi Mitsui Tower next to the famous Nihonbashi Bridge. This is the first skyscraper in the Nihonbashi area and as the sun sets, the facade detail is elegantly illuminated. At the historical Nihonbashi District, a variety of lighting methods are on parade, but the highway overpasses keep most of the river hidden from view. Rumors of reconstructing the highway system underground would help revive the scenery along the Nihonbashi River. The main structure of the Chuo-Ohbashi Bridge is beautifully illuminated. The many bridges along the Sumida River compete with each other for top beauty marks, as each is illuminated in a multitude of colors.
The Marunouchi district in the center of Tokyo has been transformed in recent years from a business and financial center to the latest redevelopment to intertwine commercial and office space. Our survey started in Marunouchi, as we closed in on the infamous Tokyo Tower to view the sprawling Tokyo nightscape. Marunouchi Central Street is enclosed on both sides by buildings all at the same height of 31 meters. Facade lighting and streetlights throw an even light over the street, creating a flat nightscape with no rhythm of light and shadow. Quite possibly occupying the staring role in the production of the Tokyo nightscape is the Tokyo Tower. The ironworks structure of this tower is illuminated from underneath, beautifully generating a glowing symbol for the city. At 250 meters, looking down on Tokyo from the tower is a beautiful site. Glare is blinding and there is no visible unified pattern to the lights of Tokyo, but lights twinkle all over the city and continue as far as the horizon. Things always look better from a distance and the Tokyo nightscape is one of them!
2024.05.16 – 05.19 Mari Kubota+ Noriko Higashi Busan, South Korea’s second-largest city, is one of the world’s major port cities. In recent years, it has also gained fame as a hub for tourism and film. We surveyed the lighting in Busan, which is also a member of LUCI (Lighting Urban Community International). South Korea is a close neighbor, just 1.5 hours from Tokyo by plane, making it a popular destination for quick and affordable trips. Busan, the second-largest city in South Korea, is not only a tourist destination but also a major port and an entertainment center, hosting film festivals. As a member of LUCI, Busan has been focusing on urban lighting as part of its urban planning. In 2015, the city developed an extensive overview of its nightscapes, resulting in the Busan Urban Light Policy for 2030. This policy has been updated several times, reflecting the city’s ongoing efforts in implementation and improvement. The guidelines divide Busan into several zones, each with lighting tailored to its specific characteristics.We traveled to Busan to assess whether the city’s lighting contributes to safety, beauty, attractiveness, and the local economy at night. ■Jagalchi Market Jagalchi Market is South Korea’s largest seafood market, selling both fresh and dried fish. After purchasing seafood on the first floor, visitors can have it cooked and served on the second floor. The market attracts many tourists. White lights are used to illuminate the seafood, making it look as…
City Night Survey- Chiang Mai Lantern Festival 2023.11.25 – 11.29 Angkana Kongchatri (Tan)+Momoko Muraoka Chiang Mai is the second largest city in Thailand which has special atmosphere tracing from Lannar kingdom period. Tan from Bangkok and Momoko from Tokyo traveled to the city for a survey. ■Back ground of the survey The lantern festival in Chiang Mai has been getting very high attention from international tourists since a couple of decades ago. Due to its visual appeal, the festival has become an explosively hot tourist spot and activity. As number of tourists raise up, the negative side of the festival also becoming a serious issue, such as the risks of fire and abandoned trashes which cause suffering to local people. In this SNS era, the speed and frequency of exchanging information has become extremely heavy than ever. When very local culture gets intensive attention from unidentified crowds, then the one to retain the culture need to face and respond the troubles to come with the anonymous attention which is also happening on the lantern festival in Chiang Mai. Festivals with lights are attractive. However, overlooking the wastes happening materially and culturally cannot be accepted anymore. Through this survey, we aim to observe not only the bright side but also the problems and struggles behind which could relate with many other traditional lighting festivals. We believe that the approach could bring another layer of depth for the lighting detective activity with…

