From up above Tokyo looks like an overturn jewelry box, the night streets glitter with lights and it a fairly beautiful sight. Once back on ground, the glitter has turned harsh. It is an economically advanced nightscape, an efficient nightscape with needless light and light pollution. An aerial view of Tokyo at night. The dark area in the center of Tokyo, the Emperor`s Palace, is surrounded by clusters of lights that resemble precious stones. From this view it is unclear where Tokyo begins or ends. The Tokyo nightscape is illuminated in bright white light. Mercury lamps and florescent lights in the background of Tokyo Tower control the nightscape of this city. Old-fashioned houseboats gather in the foreground of the Odaiba District and the Rainbow Bridge.

In front of the main gate to Senso-ji Shrine lies the neighborhood of Asakusa. One of Tokyo’s most popular entertainment districts, Asakusa flourished with kabuki, opera, and comic storytelling from the Meiji Era to the end of WWII. The Lighting Detectives discovered a variety of decorative streetlights and a lighting atmosphere fitting for this lively cultural destination. Upon entering the famous Kaminarimon, the Nakamise approach proceeds towards the shrine with bright-white, fluorescent-tube illuminated signage lining both sides. After navigating this corridor, walls of softly glowing lanterns come into view. The lanterns once lit with fire were replaced with incandescent bulbs and now fluorescent lamps. In popular neighborhoods like Shibuya or Roppongi, architectural facade lighting or neon signage fills the vertical space and “street lighting” is virtually non-existent. However, a variety of decorative streetlights festively illuminate the streets of Asakusa for a very fitting lighting environment. Pub signage and lanterns dispersed along the dark streets of Asakusa create an uncanny charm in this neighborhood. Roadway lux levels are a fairly dim 10-16 lx, but the red lanterns hanging from the eaves of establishments dig up affection for this old town.

2018/09/30-10/08 Shosaku Takahashi + Masafumi Yamamoto Morocco is located on the African continent but retains a strong influence from European countries such as neighboring Spain and France. It can be said that the cities have been formed under the influence of various cultures. This survey started in the major city of Marrakech, crossed the Atlas Mountains to visit the vast Sahara Desert inland, and then continued for ten hours and another 600 kilometers across the continent to reach the blue city of Chefchaouen. We experienced the climate, culture, and lifestyle of this country, which shines on the shores of the Mediterranean Sea while benefiting from the sun, and investigated the relationship between lighting and people’s lives. Djemaa el-Fna Square Many of the Old Town’s paths are covered with sunscreens The souk is bustling with people at night People watching street performers ■Arrival in MarrakechAfter driving four hours from Casablanca Airport, we saw the reddish-clay streetscape of the major city of Marrakech pop up in the middle of the wilderness. The moment we got out of the car in the old town, swarms of flies started hitting our bodies. The smell of rotting fruit and raw fish stung our noses. Crowds of people moved through the narrow alleyways, as motorcycles sped past, honking their horns. The air was thick with dust and exhaust fumes. Flies immediately swarmed the tuna sandwich we bought from a nearby stand for a late lunch. ■Old…

2024.05.16 – 05.19 Mari Kubota+ Noriko Higashi Busan, South Korea’s second-largest city, is one of the world’s major port cities. In recent years, it has also gained fame as a hub for tourism and film. We surveyed the lighting in Busan, which is also a member of LUCI (Lighting Urban Community International). South Korea is a close neighbor, just 1.5 hours from Tokyo by plane, making it a popular destination for quick and affordable trips. Busan, the second-largest city in South Korea, is not only a tourist destination but also a major port and an entertainment center, hosting film festivals. As a member of LUCI, Busan has been focusing on urban lighting as part of its urban planning. In 2015, the city developed an extensive overview of its nightscapes, resulting in the Busan Urban Light Policy for 2030. This policy has been updated several times, reflecting the city’s ongoing efforts in implementation and improvement. The guidelines divide Busan into several zones, each with lighting tailored to its specific characteristics.We traveled to Busan to assess whether the city’s lighting contributes to safety, beauty, attractiveness, and the local economy at night. ■Jagalchi Market Jagalchi Market is South Korea’s largest seafood market, selling both fresh and dried fish. After purchasing seafood on the first floor, visitors can have it cooked and served on the second floor. The market attracts many tourists. White lights are used to illuminate the seafood, making it look as…

City Night Survey- Chiang Mai Lantern Festival 2023.11.25 – 11.29 Angkana Kongchatri (Tan)+Momoko Muraoka Chiang Mai is the second largest city in Thailand which has special atmosphere tracing from Lannar kingdom period. Tan from Bangkok and Momoko from Tokyo traveled to the city for a survey. ■Back ground of the survey The lantern festival in Chiang Mai has been getting very high attention from international tourists since a couple of decades ago. Due to its visual appeal, the festival has become an explosively hot tourist spot and activity. As number of tourists raise up, the negative side of the festival also becoming a serious issue, such as the risks of fire and abandoned trashes which cause suffering to local people. In this SNS era, the speed and frequency of exchanging information has become extremely heavy than ever. When very local culture gets intensive attention from unidentified crowds, then the one to retain the culture need to face and respond the troubles to come with the anonymous attention which is also happening on the lantern festival in Chiang Mai. Festivals with lights are attractive. However, overlooking the wastes happening materially and culturally cannot be accepted anymore. Through this survey, we aim to observe not only the bright side but also the problems and struggles behind which could relate with many other traditional lighting festivals. We believe that the approach could bring another layer of depth for the lighting detective activity with…