The World Lighting Journey is a photo library of nightscapes and lighting environments from cities worldwide. Lighting Detectives hopes this database will be a catalyst for future discussion on urban lightscapes and local lighting culture. Lighting Detectives encourages all web viewers to send nightscape from your hometown to add to our ever-expanding photo library.

EUROPE

AFRICA

AMERICAS

OCEANIA

ASIA

Select CountrySelect Country

EUROPE

AFRICA

AMERICAS

OCEANIA

ASIA

Malaysia_Market_3

Category: Downward View
Photo by: SHOMEI TANTEIDAN
©All Rights Reserved
Other photos in - Downward View
Related photos
GLOBAL RESEARCH

NAGOYA

More

Looking over the Nagoya nightscape from the symbolic Television Broadcasting Tower, Hisaya Boulevard stands out in the center and orange sodium lamps dominate the park below. The new trendy spot in Nagoya, Oasis 21, along Hisaya Boulevard. We climbed up the Television Broadcasting Tower before dusk so we could sit back and watch nature’s light show over the city with Oasis 21 in the foreground. Various mechanisms of light are incorporated into the design of Oasis 21, a former LPA project and winner of IESNA 2003 Award of Merit. One characteristic of Hisaya Boulevard nightscape is that the scenery always includes the Television Broadcasting Tower. Whether from the illuminated water fountain, Central Bridge, Central Park, or Oasis 21 all are framed just like a picture postcard with the Tower in the background.

GRAZ, Austria

More

Graz is the second largest city in Austria. The Mor River runs through the center, with old cityscape and warm-colored street lighting giving the city a cozy feel. On the other hand, Kunst Haus and other newer architecture have added an element of the arts with a system of reflection streetlights also creating a new face for this city of culture. From the top of castle hill, with its large clock tower, Uhrturm, the City of Graz is in full view. Photo to the right, city hall offices in the city center. The building facades along Herrengasse Street are also up lit for a festive atmosphere as the sun goes down. The Kunst Haus, built along the Mor River and in the middle of the old cityscape, resembles a spaceship just blasting off. Fluorescent lights are mounted on the main facade and at night a program controls the fixtures, sometimes turning it blazing white. Reflection streetlights in the plaza before city hall. These streetlights are visible in many places throughout the city.

City Night Survey: Ulaanbaatar, Mongolia

More

2024.10.01-10.05 Atsushi Itakura & Genki Watanab When thinking of Mongolia, many people may imagine vast grasslands and nomadic gers, but therapidly developing capital city of Ulaanbaatar also deserves attention.Despite being only about five and a half hours from Japan, few people are familiar with its currentstate.This visit, conducted through an urban lighting survey of Ulaanbaatar, provided a valuableopportunity to discover an unexpected side of Mongolia. ■What Kind of Place Is Mongolia?When we think of Mongolia, the first image that often comes to mind is of vast grasslands stretching out endlessly, dotted with “gers”—the traditional dwellings of nomadic herders. For Japanese people, there’s also a sense of connection through cultural and historical ties, such as the shared heritage linked to the Mongolian spot (mongolian birthmark) and the many Mongolian sumo wrestlers who have found great success in Japan. Despite being only a five-and-a-half-hour flight away from Japan, Mongolia is a country that feels both near and distant—close in proximity, yet far in familiarity. Though we may feel an affinity toward Mongolia, the reality is that most people know very little about its present state. With this simple curiosity as our starting point, we embarked on a 5-day, 4-night survey of urban lighting in Ulaanbaatar, the capital of this rapidly developing nation. ■Topographical Characteristics of Ulaanbaatar Ulaanbaatar covers an area of approximately 4,700 square kilometers and is divided into nine districts. The city is flanked by hills to the north and south,…

LJUBLJANA, Slovenia

More

Ljubljana, the self-contained capital of Slovenia has a charming old cityscape made up of buildings topped with red tiled roofs. At dusk, people flock to the Ljubljana River to rest after a busy day and watch the lights come on over the city. Many historical buildings are lit up in this compact downtown, with other lights here and there creating a comfortable rhythm of lighting and darkness. The Tomostovje Bridge designed by Jose Plecnik connects the old city with the new city. Of all the bridges over the Ljubljana River, this is the one most central and with the most foot traffic. The orange lit facade of the Franciskanska Church next to the Presernov Plaza is visible from the bridge.。 Leaving the Presernov Plaza behind, the smaller streets are cloaked in darkness. Shop windows are dimly lit and a few neon signs are aglow down the street. View of the city from Ljubljanski Grad. From the darkness, activity along the river and the illumination of some main buildings creates axis of light across the city.

DALLAS・FORT WORTH

More

Dallas, the stage for the assassination of President Kennedy and Fort Worth, a city of culture that attracts architects and designers from around the world. However, both cities have to compete under the hot Texas sun, with most buildings fitted with walls of heat reflective glass. This building style leaves only the edge of buildings for accent lighting, which often reflects onto nearby buildings. From Reunion Tower, looking towards the glass skyscrapers in the west end of downtown Dallas. Strong accent light for other buildings is seen reflected in the facade. The interior of Louise Kahn’s Kimbell Art Museum, where his words “Light is the Theme” still echo. Natural light filters in through a slit opened at the top of the vault and reflects off of reflectors fitted into the architecture. The reflected light turns the vaulted ceilings brilliant silver. The Modern Art Museum of Fort Worth designed by Tadao Ando and completed in 2002. The main walls seen from the outside are lightly wall washed without intruding on the art pieces and exhibition space. The outer perimeter of the building reflects clear design intent in the careful composition of high-quality light. In the evening, reflections on the surface of the surrounding pond present another angle to this building.