

Tokyo Survey: Tsukuda / Tsukishima 2019.11.18 Kyoko Takubo+Yuichi Anzai+Namiko Watanabe An overview of Tsukishima. In contrast to the bright large city buildings, the small alleys and storefronts don’t leak much light Tsukuda is an fisherman island made in Edo-period. Tsukishima was landfilled in Meiji era and now there are still many row houses and small alleys. While the port area of Tokyo is going through mass redevelopment, we investigated the lighting environment of this area filled with intermingling old town houses and large city buildings. Tsukuda Tsukuda 1Chome Mainstreet. Children playing outside the old candy store Tsukuda 1 Chome Mainstreet is mainly lit with mercury lamps Tsukuda Machikado Museum. Its lit with LED3000K with about 134lx. Our investigation started by taking an overview photo from a tall building from the other side of the river. With the hustle and bustle bright lights from the Central area’s cityscape, there was one part that was dark- that is our target of this investigation, Tsukuda・Tsukishima. The dark patch from this area is even more pronounced as it is surrounded by the bright city lights all around. As we get back on the ground, we headed towards Tsukuda 1 chome (Old Tsukuda Island) Mainstreet. On our way we saw the mercury lamp streetlights (4500K) emitting some green tinted white light. The average brightness was around 11lx. In the day you could still see a nostalgic scene with children playing outside the old candy store…
Kobe, very similar to the port town of Yokohama, is full of great spaces for pedestrians, including, the main strip, Flower Road, many arcades, underground passages, and the Kobe Meriken Park. While most of the lights in this area are white mercury lamps, Kobe Port Tower glows a brilliant orange. Looking from Port Island across the bay towards the Kobe waterfront, Meriken Park and Harbor Park, both places of escape for Kobe residents, are clearly visible. Another great way to enjoy this view is to hop on one of the many night cruises for a tour of Kobe Bay. The stage for the Hanshin Tiger’s victory parade, Sannomiya Station and Flower Road in downtown Kobe, a very a pedestrian friendly area with wide sidewalks for pleasant strolling. From the Rokko Mt. observation deck, one cannot only view the lights of Kobe, but also its neighbor, Osaka, and on a really clear day, the Akashi Strait. Maya Mt. observation deck on the next ridge over, is a local spot, but also an incredible view of the Kobe nightscape.
It is an island of light floating in the desert. Lighting technology in Las Vegas is not sedentary, but reinventing itself daily. How can we seize the inviting eyes of visitors? What is attractive lighting? In this place, day is night and night is day. Everybody’s internal clock has goes haywire. From the top of the Stratosphere Tower, the lights of The Strip appear out of the black desert, like the lights of a spacestation. Exterior lighting of the Venetian Resort Hotel. Tourists sit in front of casino slot machines 24 hours a day with no perception of time, since even during the day the interior is keep fairly dark.
The thoughts and ideas of Poul Henningsen seem to be present throughout the streets of Copenhagen. Co-existing soft, tender light and natural light combine to create a nightscape in Copenhagen that reminds us technology is not always the answer. The catenary lights strung across Stroget Plaza and warm light from the surrounding windows gives a striking appearance to the plaza. The sidewalks along Stroget wrapped in the blue moment. At dusk, PH (Poul Henningsen) lamps are visible though living room windows, as time seems to slow down for the evening.
Dallas, the stage for the assassination of President Kennedy and Fort Worth, a city of culture that attracts architects and designers from around the world. However, both cities have to compete under the hot Texas sun, with most buildings fitted with walls of heat reflective glass. This building style leaves only the edge of buildings for accent lighting, which often reflects onto nearby buildings. From Reunion Tower, looking towards the glass skyscrapers in the west end of downtown Dallas. Strong accent light for other buildings is seen reflected in the facade. The interior of Louise Kahn’s Kimbell Art Museum, where his words “Light is the Theme” still echo. Natural light filters in through a slit opened at the top of the vault and reflects off of reflectors fitted into the architecture. The reflected light turns the vaulted ceilings brilliant silver. The Modern Art Museum of Fort Worth designed by Tadao Ando and completed in 2002. The main walls seen from the outside are lightly wall washed without intruding on the art pieces and exhibition space. The outer perimeter of the building reflects clear design intent in the careful composition of high-quality light. In the evening, reflections on the surface of the surrounding pond present another angle to this building.

